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The Academic Treatise on Flamenco Guitar SAVING PACK (5 Books/CD or Streaming A.) - Manuel Granados

The Academic Treatise on Flamenco Guitar  SAVING PACK (5 Books/CD or Streaming A.) - Manuel Granados
Recommended
Brand: XMG
Reference: L&CDGRANADOSPACK/L-GRANADOS T-PACK
135,00 €141,45 $ 141,45 $21.612,15 ¥ 21.612,15 ¥112,34 £ 112,34 £10 % disc. 150,00 €
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Description
 
The Academic Treatise on Flamenco Guitar
- SAVING PACK -
Manuel Granados
 
THE ACADEMIC TREATISE ON FLAMENCO GUITAR by the maestro Manuel Granados represents didactic material of enormous interest for maestros, students, flamenco aficionados and guitarists of all musical styles.

Organised into five volumes, is aimed at those students about to begin their studies, and to all those who may have learned without real coherency and who may have some faults to correct.

Each book isdivided into three sections: Technique, Styles and Theory of flamenco music, all of them with a CD so that the guitarist can practice without the need of help from a teacher.


Spanish, English and Japanese
Music and Tablature

Volume 1 contents:

 

 

PROLOGUE
TUNING

I. TECHNIQUE

1. FLAMENCO RASGUEO: Rasgueo studies
2. THUMB: Thumb exercises, Thumb studies
3. THUMB-INDEX: Thumb-index exercises, Thumb-index studies
4. ALZAPUA: Alzapua exercises, Alzapua studies
5. ARPEGIOS: Arpeggio exercises, Arpeggio studies
6. TREMOLO FLAMENCO: Tremolo Exercises, Tremolo studies
7. PICADOS: Picado exercises, Estudios de picados
8. SLURS: Slur exercises, Slur studies

II.STYLES

SOLEÁ Compas 1 to 6, Variation 1, 2, 3
SIGUIRIYA Compas 1 to 6, Variation 1, 2, 3
TIENTOS Compas 1 to 6, Variation 1, 2, 3

III. FLAMENCO MUSIC THEORY

SCALES FORMATION
TRIAD CHORDS FORMATION
MODAL APPROACH

TREMOLO study example
 
SOLEA variation example
 
TIENTOS compás example
 

Volume 2 contents:

I.TECHNIQUE

1.FLAMENCO RASGUEO: Rasgueo exercises, Rasgueo studies
2. THUMB: Thumb exercises, Thumb studies
3. ALZAPUA: Alzapua exercises, Alzapua studies
4. ARPEGIOS: Arpeggio exercises, Arpeggio studies
5. FLAMENCO TREMOLO: Tremolo studies
6. SIMULTANEOUS NOTES OR Chord exercises
7. PICADOS: Picado exercises, Picado studies
8. SLURS: Slur exercises, Slur studies
9. BARRE: Full barré & half-barre exercises, Full barré & half-barre studies

II.STYLES

SOLEÁ IN A: Compas 1 to 6
ALEGRÍAS: Compas 1 to 6
BULERÍAS: Compas 1 to 6
FANDANGO RÍTMICO: Compas 1 to 6
FARRUCA: Compas 1 to 6
TARANTO: Compas 1 to 6
TANGOS: Compas 1 to 6
SERRANA: Compas 1 to 6
GUAJIRA: Compas 1 to 6
COLOMBIANA: Compas 1 to 6
PETENERA: Compas 1 to 6

III. FLAMENCO MUSIC THEORY

CHORD FUNCTIONS IN THE FLAMENCO MODE
SEVENTH AND NINTH CHORD FORMATION
THE USE OF THE 7TH AND 9TH IN THE FLAMENCO MODE

TARANTO example
 
 PETENERA example

 

 

 

 

 

Volume 3 contents:


I.TECHNIQUE

1. OPENING ARPEGGIOS AND FAST ARPEGGIOS
2. LONG ARPEGGIOS COVERING 6 STRINGS
3. ARPEGGIOS WITH SIMULTANEOUS NOTES
4. FLAMENCO TREMOLO
5. RUNS (PICADOS) 6. ARPEGGIO-PICADO
7. CHORDS OR SIMULTANEOUS NOTES
8. CAPO/BARRÉ

II.STYLES

MALAGUEÑA
GRANAÍNA
TARANTA
SOLEÁ EN MI
SIGUIRIYAS
TIENTOS

III. FLAMENCO MUSIC THEORY

KEY SIGNATURES IN FLAMENCO TRADITIONAL
HARMONY APPLIED TO FLAMENCO
FUNCTIONS: TONIC, DOMINANT AND SUBDOMINANT
SECONDARY DOMINANT CHORD APPLIED TO FLAMENCO MODE

ejemplo de MALAGUEÑA
 
ver ejemplo de Llamada MALAGUEÑA
 
ver ejemplo de Llamada GRANAINA

 

 

 

Contenido del Volumen 4


I. LA TÉCNICA

1. ARPEGIOS LARGOS ABARCANDO LAS SEIS CUERDAS- Estudios de arpegios largos
2. TRÉMOLO FLAMENCO - Estudios de trémolo flamenco
3. PULGAR - Estudios de pulgar
4. ALZAPÚA - Estudios de alzapúa
5. PICADOS - Estudios de picados
6. ARPEGIO-PICADO - Fórmulas mecánicas 1 a 9 Estudio de arpegio-picado
7. ACORDES - Estudio

II. LOS ESTILOS

RONDEÑA Afinación característica Variaciones 1 y 2
MINERA Variaciones 1 y 2
FARRUCA Variaciones 1 a 4
SOLEÁ EN LA Variaciones 1 a 4
SERRANA Variaciones 1 a 3

III. LA TEORÍA MUSICAL DEL FLAMENCO

LA NOTA SENSIBLE DEL MODO FLAMENCO Y LA SENSIBLE TRANSITORIA
LA CADENCIA DEL MODO FLAMENCO
LA AMPLIACIÓN DE LA FUNCIÓN EN LA ARMONÍA DEL FLAMENCO EMPLEO DE LA SUBDOMINANTE DE UN TONO TRANSITORIO EN LA PROGRESIÓN
LA NOTA MI. PEDAL EN LAS PROGRESIONES ARMÓNICAS
R ELACIÓN Y FORMACIÓN DE LOS MODOS FLAMENCOS CARACTERÍSTICOS

 
ejemplo de SOLEÁ en LA
 
ejemplo de SERRANA

Volume 5 contents:

 

I. TECHNIQUE

1. LONG ARPEGGIOS COVERING ALL SIX STRINGS. Studies
2. ARPEGGIOS WITH RING FINGER REST STROKE. Studies
3. ARPEGGIOS WITH SIMULTANEOUS RING FINGER REST STROKE AND THUMB Studies
4. FLAMENCO TREMOLO. Exercises and Studies
5. THUMB. Studies
6. ALZAPÚA. Studies
7. PICADOS (SCALES). Studies
8. SCALES WITH SIMULTANEOUS BASS. Exercises and Studies
9. ARPEGGIOS-SCALES. Studies
10. CHORDS. Study
11. LEFT HAND STRETCHES AND ELASTICITY. Exercises & Studies

 
II.STYLES

GRANAÍNA
MALAGUEÑA
TARANTA
TIENTOS
TANGOS
SIGUIRIYA
SOLEÁ EN MI
FANDANGO
GUAJIRA

III. FLAMENCO MUSIC THEORY

 

 

 

 

MODULATION IN TRADITIONAL HARMONY
MODULATION IN FLAMENCO MODE

 

ejemplo de TANGOS
 
ejemplo de GUAJIRA

 

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