The Academic Treatise on Flamenco Guitar SAVING PACK (5 Books/CD or Streaming A.) - Manuel Granados

Manuel Granados
Organised into five volumes, is aimed at those students about to begin their studies, and to all those who may have learned without real coherency and who may have some faults to correct.
Each book isdivided into three sections: Technique, Styles and Theory of flamenco music, all of them with a CD so that the guitarist can practice without the need of help from a teacher.
Music and Tablature
Volume 1 contents:
PROLOGUE
TUNING
I. TECHNIQUE
1. FLAMENCO RASGUEO: Rasgueo studies
2. THUMB: Thumb exercises, Thumb studies
3. THUMB-INDEX: Thumb-index exercises, Thumb-index studies
4. ALZAPUA: Alzapua exercises, Alzapua studies
5. ARPEGIOS: Arpeggio exercises, Arpeggio studies
6. TREMOLO FLAMENCO: Tremolo Exercises, Tremolo studies
7. PICADOS: Picado exercises, Estudios de picados
8. SLURS: Slur exercises, Slur studies
II.STYLES
SOLEÁ Compas 1 to 6, Variation 1, 2, 3
SIGUIRIYA Compas 1 to 6, Variation 1, 2, 3
TIENTOS Compas 1 to 6, Variation 1, 2, 3
III. FLAMENCO MUSIC THEORY
SCALES FORMATION
TRIAD CHORDS FORMATION
MODAL APPROACH
Volume 2 contents:
I.TECHNIQUE
1.FLAMENCO RASGUEO: Rasgueo exercises, Rasgueo studies
2. THUMB: Thumb exercises, Thumb studies
3. ALZAPUA: Alzapua exercises, Alzapua studies
4. ARPEGIOS: Arpeggio exercises, Arpeggio studies
5. FLAMENCO TREMOLO: Tremolo studies
6. SIMULTANEOUS NOTES OR Chord exercises
7. PICADOS: Picado exercises, Picado studies
8. SLURS: Slur exercises, Slur studies
9. BARRE: Full barré & half-barre exercises, Full barré & half-barre studiesII.STYLES
SOLEÁ IN A: Compas 1 to 6
ALEGRÍAS: Compas 1 to 6
BULERÍAS: Compas 1 to 6
FANDANGO RÍTMICO: Compas 1 to 6
FARRUCA: Compas 1 to 6
TARANTO: Compas 1 to 6
TANGOS: Compas 1 to 6
SERRANA: Compas 1 to 6
GUAJIRA: Compas 1 to 6
COLOMBIANA: Compas 1 to 6
PETENERA: Compas 1 to 6III. FLAMENCO MUSIC THEORY
CHORD FUNCTIONS IN THE FLAMENCO MODE
SEVENTH AND NINTH CHORD FORMATION
THE USE OF THE 7TH AND 9TH IN THE FLAMENCO MODE
I.TECHNIQUE1. OPENING ARPEGGIOS AND FAST ARPEGGIOS
2. LONG ARPEGGIOS COVERING 6 STRINGS
3. ARPEGGIOS WITH SIMULTANEOUS NOTES
4. FLAMENCO TREMOLO
5. RUNS (PICADOS) 6. ARPEGGIO-PICADO
7. CHORDS OR SIMULTANEOUS NOTES
8. CAPO/BARRÉII.STYLES
MALAGUEÑA
GRANAÍNA
TARANTA
SOLEÁ EN MI
SIGUIRIYAS
TIENTOSIII. FLAMENCO MUSIC THEORY
KEY SIGNATURES IN FLAMENCO TRADITIONAL
HARMONY APPLIED TO FLAMENCO
FUNCTIONS: TONIC, DOMINANT AND SUBDOMINANT
SECONDARY DOMINANT CHORD APPLIED TO FLAMENCO MODE
Contenido del Volumen 4
I. LA TÉCNICA
1. ARPEGIOS LARGOS ABARCANDO LAS SEIS CUERDAS- Estudios de arpegios largos
2. TRÉMOLO FLAMENCO - Estudios de trémolo flamenco
3. PULGAR - Estudios de pulgar
4. ALZAPÚA - Estudios de alzapúa
5. PICADOS - Estudios de picados
6. ARPEGIO-PICADO - Fórmulas mecánicas 1 a 9 Estudio de arpegio-picado
7. ACORDES - EstudioII. LOS ESTILOSRONDEÑA Afinación característica Variaciones 1 y 2
MINERA Variaciones 1 y 2
FARRUCA Variaciones 1 a 4
SOLEÁ EN LA Variaciones 1 a 4
SERRANA Variaciones 1 a 3III. LA TEORÍA MUSICAL DEL FLAMENCO
LA NOTA SENSIBLE DEL MODO FLAMENCO Y LA SENSIBLE TRANSITORIA
LA CADENCIA DEL MODO FLAMENCO
LA AMPLIACIÓN DE LA FUNCIÓN EN LA ARMONÍA DEL FLAMENCO EMPLEO DE LA SUBDOMINANTE DE UN TONO TRANSITORIO EN LA PROGRESIÓN
LA NOTA MI. PEDAL EN LAS PROGRESIONES ARMÓNICAS
R ELACIÓN Y FORMACIÓN DE LOS MODOS FLAMENCOS CARACTERÍSTICOS
ejemplo de SERRANAVolume 5 contents:
I. TECHNIQUE
1. LONG ARPEGGIOS COVERING ALL SIX STRINGS. Studies
2. ARPEGGIOS WITH RING FINGER REST STROKE. Studies
3. ARPEGGIOS WITH SIMULTANEOUS RING FINGER REST STROKE AND THUMB Studies
4. FLAMENCO TREMOLO. Exercises and Studies
5. THUMB. Studies
6. ALZAPÚA. Studies
7. PICADOS (SCALES). Studies
8. SCALES WITH SIMULTANEOUS BASS. Exercises and Studies
9. ARPEGGIOS-SCALES. Studies
10. CHORDS. Study
11. LEFT HAND STRETCHES AND ELASTICITY. Exercises & StudiesII.STYLESGRANAÍNA
MALAGUEÑA
TARANTA
TIENTOS
TANGOS
SIGUIRIYA
SOLEÁ EN MI
FANDANGO
GUAJIRAIII. FLAMENCO MUSIC THEORY
MODULATION IN TRADITIONAL HARMONY
MODULATION IN FLAMENCO MODE
ejemplo de GUAJIRA