Saving Pack - Cante -
Through 58 rhythmic exercises based on hands beating the legs, palms and foot, and in some cases supported by vocals sounds, students (with the practice) will familiarize with the Flamenco rhythm.
Regarding the singing, there are exercises that will allow warming and to know the voice of the student, and preparatory exercises for different flamenco styles as well. Also included 6 themes interpreted with singing and without singing, and then students can put the voice.
With this CD-book are studied different flamenco rhythms, which can be divided into different regions.
Region 1 - Cantiñas Alegrías, Caracoles, Mirabrás, etc.
Region 2 - Soleá de Alcalá, de Triana, Soleá por Bulerías, etc.
Region 3 - Bulerías de Jerez, de Lebrija, Jaleos, etc.
Region 4 - Tangos de Granada, Extremeños, Tientos, etc.
Region 5 - Fragua Deblas, Toná, Martinete, Seguirillas, Cabales, etc.
The CD includes much of the exercises explained in the book as well as themes interpreted both singing, as without singing.
Spanish, English, French, German and Japanese Alemán y Japonés
76 Pages
Original idea: Curro Cueto y José Manuel Montoya
Clapping and Singing: Curro Cueto
Guitar: José Manuel Montoya
Content:
Introduction
F lamenco rhythmic patterns (compás)
Position
Flamenco compás exercises
Machiavellian Exercises
Subdivision Exercises
Preparation exercises for singing Alegrías
Preparatory exercises for singing Soleá por Bulerías
Preparatory exercises for singing Soleá
Preparatory exercises for Bulerías
Preparatory exercises for Tangos
Subdivisions
Los cantes de Fragua
Know your voice
Alegrías
Soleá por Bulerías
Soleá
Bulerías
Tangos
Seguirillas
Each one of the styles will be carefully explained so that singers, guitarists, percussionists and even those that are just beginning, are able to understand their structures, words, intonation, rhythms, beats, forms, etc.
All the songs are explained in parts, "step by step”, and at the end of the explanation they will be interpreted in their complete form.
Furthermore, making the most of the facilities of the DVD, you also have the possibility of lowering the volume of "Merenguito” voice so that the singers can practise with the group. There is also the opportunity of reducing the sound of the guitar, so that the guitarists can practise the accompaniment of the song with Merenguito.
In other words, this is a perfect course both for singers and guitarists, where you will be able to study and practise singing as well as accompanying the song.
It also include a booklet with some historical information about all explained flamenco styles, technical featuires and lyrics.
Each one of the styles will be carefully explained so that singers, guitarists, percussionists and even those that are just beginning, are able to understand their structures, words, intonation, rhythms, beats, forms, etc. All the songs are explained in parts, "step by step”, and at the end of the explanation they will be interpreted in their complete form. In this first volume are explained the following styles:
Among the different themes covered there are three set ups:
There is also the possibility of lowering the volume of the singer’s voice or the guitar’s volume so that the student can practise with his/her own voice or with their guitar, changing the audio track indicated on the DVD. |