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97,73 £15 % disc. 135,00 €
130,79 $ 18.662,20 ¥ 97,73 £15 % disc. 135,00 €Progressive studies for Flamenco Guitar. Soleá por Bulerías (Book/DVD) - Mehdi Mohagheghi
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Description
Progressive studies for Flamenco Guitar
Soleá por Bulerías
Soleá por Bulerías
Mehdi Mohagheghi
Soleá studies for flamenco guitar, suitable for all levels. Measures and falsetas (variations) are gradually studied, reaching the right level to play falsetas of famous flamenco guitarists.
Once you dominate all the studies, you will be able to play your own pieces mixing different falsetas studied in this DVD.
Spanish and English
Spanish and English
Multiple audio options (Example Falseta 7 - Soleá por Bulerías)
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Audio guitar+cajón. |
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Audio guitar+metronome. |
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Audio guitar |
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Audio cajón. |
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Book sample |
DVD Contents
Study 1: The first 6 beats
Study 2: Beats 6-12
Study 3: Beats 6-12 using arpegios
Study 4: One complete "compás”
Study 5: Another complete "compás”
Study 6: Another complete "compás”
Study 7: A complete "compás” using arpegios
Study 8: Another complete "compás” using arpegios
Study 9: A complete "compás” using double arpegios
Study 10: Another example using double arpegios
Study 11: A complete "compás” using Rasgueos
Study 12: An example with two complete "compás” using arpegios
Study 13: An example of starting with beat 12
Study 14: Another example of starting beat 12
Study 15: An example with two complete "compás”
Study 16: Another example with two complete "compás”
Study 17: An example using double arpegios and ligados
Study 18: Another example
Study 19: Another example
Study 20: An example with two complete "compás” , the second "compás” being the answer to the first "compás”(question)
Study 21: An example that ends with Alzapua
Study 22: A complete "compás”
Study 23: Another example
Study 24: An example with two complete "compás” using arpegios
Study 25: A complete "compás” with syncopation
Study 26: Another example with syncopation
Study 27: An example with extensive ligados
Study 28: An example with extensive ligados
Study 29: An example with two complete "compás” using extensive ligados and double arpegios
Study 30: An example with two complete "compás” using p/i and double arpegios
Study 31: An example using Alzapua
Study 32: A more complicated exampleFalsetas:
Falseta 1: A traditional falseta using ligados
Falseta 2: A modern falseta which can be used as an introduction , Gerardo Núñez
Falseta 3: A falseta with syncopation by Mehdi Mohagheghi
Falseta 4: A modern falseta using Alzapua . Enrique de Melchor
Falseta 5: A modern falseta , Tomatito
Falseta 6: A falseta using Alzapua , Oscar Herrero
Falseta 7: A falseta with a complicated rhythm , Mehdi Mohagheghi
Ending :
Ending 1: A rhythmic "compás” to end Solea por Bulerías
