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Flamenco Bass Method 1 (Book/CD or Streaming Audio), Mariano Martos
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Description
Flamenco Bass Method 1
Mariano Martos
Language: Spanish and English.
Flamenco Bass method by Mariano Martos divided into four basic styles "palos": Rumbas, Tangos, Tanguillos and Bulerías.
The exercises are conducted in a progressive manner to assist in learning.
Practice of basic patterns of each style, at the end of the "palos" there are two "falsetas" from a well known tune or the author of this book to train the ear.
CD includes 94 exercises + 4 loops
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Left Channel |
Middle |
Right Channel |
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Guitar, cajón, palmas & metronomo
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Guitar, cajón, palmas & metronomo
+ Bass |
Bass
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Index:
Introduction, Teaching Method
Positions and directions on the instrument
Concept of structure and form
Harmonic and Melodic Analyses
Glossary, signs and articulations
Hierarchy of band members
Positions and directions on the instrument
Concept of structure and form
Harmonic and Melodic Analyses
Glossary, signs and articulations
Hierarchy of band members
1.Rumba
Rumba Rhythm Section, Basic pattern, Development of basic pattern, Scales
Traditional ‘Rounds’, Alternative Techniques
Falseta Limón de Nata (Vicente Amigo)
Falseta Tendé (Mariano Martos)
Rumba Rhythm Section, Basic pattern, Development of basic pattern, Scales
Traditional ‘Rounds’, Alternative Techniques
Falseta Limón de Nata (Vicente Amigo)
Falseta Tendé (Mariano Martos)
2.Tangos
Tango Rhythm Section, Basic pattern, Development of basic pattern- Silences-, Arpeggios
Scales, Traditional ‘Rounds’- ‘Cierres’, Alternative Techniques
Falseta Como el agua (Camarón)
Falseta Sólo quiero Caminar (Paco de Lucia)
Tango Rhythm Section, Basic pattern, Development of basic pattern- Silences-, Arpeggios
Scales, Traditional ‘Rounds’- ‘Cierres’, Alternative Techniques
Falseta Como el agua (Camarón)
Falseta Sólo quiero Caminar (Paco de Lucia)
3.Tanguillos
Tanguillos Rhythm Section, Basic pattern, Development of basic pattern, Carles Benavent style pattern
Rhythmic-melodic Development of the basic pattern, Basic pattern with harmony, Tanguillos melody
Falseta Como suena (Blas Córdoba)
Falseta Peroche (Paco de Lucia & sextet)
Tanguillos Rhythm Section, Basic pattern, Development of basic pattern, Carles Benavent style pattern
Rhythmic-melodic Development of the basic pattern, Basic pattern with harmony, Tanguillos melody
Falseta Como suena (Blas Córdoba)
Falseta Peroche (Paco de Lucia & sextet)
4. Bulerías Rhythmic Section
5. Bulerías
Rhythmic keys- accompaniment of basic rhythmic patterns-, Closures, Silences, Traditional ‘Rounds’
Traditional ‘Rounds’ on ¾ time, Scales –Phrasing-, Accompanying the Cante, Alternative Techniques- Alzapúa
Gitanos andaluces (One summer nights) / Bulerías Melodies
Falseta La Luz de mi farola (Camarón)
Falseta Buleriando (Moraito)
5. Bulerías
Rhythmic keys- accompaniment of basic rhythmic patterns-, Closures, Silences, Traditional ‘Rounds’
Traditional ‘Rounds’ on ¾ time, Scales –Phrasing-, Accompanying the Cante, Alternative Techniques- Alzapúa
Gitanos andaluces (One summer nights) / Bulerías Melodies
Falseta La Luz de mi farola (Camarón)
Falseta Buleriando (Moraito)
Notation and tablature
Spanish, English
A4, 72 pages
